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India has taken a significant leap toward establishing integrated military theatre commands, marking a landmark shift in its defense strategy. Over the past few months, all three branches of India’s military—army, navy, and air force—reached a consensus on the creation of these theatre commands. This achievement was realized in April and then reaffirmed in October, following the appointment of new chiefs for each service. The Chief of Defence Staff (CDS), General Anil Chauhan, played a pivotal role in securing this agreement, aiming to enhance synergy across the forces, improve resource efficiency, and strengthen integrated military formations and communications.
According to sources, the theatre command plan is fully developed and is now being prepared for review by India’s highest political leadership. This plan follows the initial step taken on May 10, when the government enacted the Inter-Services Organizations (Command, Control, and Discipline) Act, designed to harmonize operations among the army, navy, and air force.
Rather than enforcing the new structure from the top down, General Chauhan and the CDS have adopted a collaborative approach, discussing and refining the proposal with input from various military echelons. Once implemented, India will operate with three primary theatre commands, each focused on distinct strategic areas: the western and northern borders, as well as a maritime command overseeing island territories.
Key components of the theatre command structure include centralizing communication, intelligence, cybersecurity, and logistics functions. At present, each service branch operates on its own communication network, resulting in delayed response times due to the need to route information through separate headquarters in New Delhi. Similarly, intelligence is often shared on a need-to-know basis, which can hinder coordinated responses across the services.
Experts have long advocated for theatre commands, noting that major powers—particularly the P-5 nations (the US, UK, France, China, and Russia)—operate with theatre command frameworks. These countries’ experiences highlight the need for integrated command structures, and India’s shift away from siloed operations reflects a departure from traditional military arrangements that may no longer meet modern security demands. Rationalizing resources, integrating advanced platforms, and coordinating operations are central goals of the new command structure, ensuring that India’s defense posture remains robust and strategically aligned.
Another priority for the government involves reducing the emphasis on ceremonial activities within the military and shifting focus toward combat-ready strategies tailored to the regional environment. This approach emphasizes crafting responses suited to India’s unique defense challenges rather than adopting Western tactics wholesale. The government aims for a streamlined, focused, and contextually aware defense force to address threats efficiently and effectively.
Under the proposed structure, the three theatre commanders will hold ranks equivalent to the service chiefs. They will report directly to the Defence Minister via the CDS on operational matters, ensuring that national leadership remains well-informed about border and maritime developments. This reporting structure mirrors the practices of the P-5 countries, where defence ministers maintain close oversight of operations.
With all three service chiefs and the CDS aligned on the theatre command plan, the proposal now awaits the green light from India’s political leadership. When approved, this new security architecture promises to bring a transformative approach to India’s military operations, ensuring that the nation’s defense forces are equipped to handle present and future threats with increased cohesion and efficiency.
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